In Private Worlds: Lives spent lurking too long in the shadows of the virtual, Roland Kelts observes:
What the pathologies affecting Japanese all have in common is a rejection of active engagement, a refusal to participate in the actual world beyond the confines of specifically tailored, intimately controllable private spaces – a bedroom, a booth in an internet café, an online chat room or a bulletin board site. It’s something I’ve taken to calling Japan’s “Bartleby rebellion,” after Herman Melville’s eponymous 19th-century law staffer in his novel Bartleby the Scrivener, whose refusal to accede to societal expectations eventually results in his rejection of sustenance itself. He starves himself to death in his prison cell. Bartleby’s irreverent mantra? “I’d prefer not to.” Tell that to the cops.
The Japanese have also proven particularly adept at cultivating private virtual worlds amid very crowded public realities. Author and translator Frederik L. Schodt, a veteran authority on Japanese pop culture media, has used the term “autistic” to define the characteristics of a comparatively inward-looking, narrowly focused sensibility.